Tim and Eric seem intent upon getting into your dreams and making an engrossing, disorienting, disturbing mess of things.
The thing about a franchise that’s lasted as long as this is, there are a plethora of characters and a boatload of backstory.
It’s that dystopian future we all seem to be dreaming of, when humans are transhuman—part human, part machine.
The Netflix series The Get Down has the twin distinctions of being both idiosyncratic and inevitable.
How many times do you have to approach a stranger, get in their face, and possibly even insult them, before you learn to alter your behavior?
Istanbul has thousands of street cats, and according to Ceyda Torun’s film Kedi, this has been the case for thousands of years.
Logan is a violent, grim chase set in the dystopian year of 2029.
Get Out is a brilliant exegesis on the phenomenon of liberal racism, of the perverse appeal that black bodies have always had to white people.
Milestone’s The Front Page is filled with dazzling camerawork, biting humor and a love for the free press that remains bracing.
"I always saw these landscapes as filmscapes," he says. "These environments have distinct tones that interested me."
I Am Not Your Negro shows how far black Americans have come in the last half century, and how much further white people have to go.